Reviews

Guitarist Ant Law has plenty of prestigious session-playing experience, and is an innovator who has his own tuning system. The central relationship here is between Law and Chillingworth, an admirer of Mark Turner who shares the American’s ability to generate intensity without hectoring. The album feels like a split between a coolly relaxed regular-jazz feel and a more rhythmically edgy contemporary approach. Law sounds distantly Metheny-like on the fast Kanda Jhati, unleashing fast, climbing figures and fluent double time off a staccato theme. The soft chording and diffuse melody of For Silver and the twisting sax theme of Laurvin Glaslowe spark remarkable improvisations that sideline the tunes, but the jazz-swinging Stract has Chillingworth in Lee Konitz mood, and A Bar In Nigeria is racing postbop that showcases the soloists and the A-list rhythm section alike. This would be an exciting band to hear live.

John Fordham – The Guardian

Bustling power, judiciously harnessed with elegance and poise, characterises the eight originals and one jazz classic that make up this album, on which the intelligent, cogent guitar playing of the fluent, eloquent Law is set against the fierce saxophones of Michael Chillingworth and the thoughtful but slyly robust piano playing of John Turville. It is the sheer class of the rhythm section however, that is the icing on the cake: whether driving the band through the pleasantly jerky, hard-edged opener, ‘Kanda Jhati’, building the surge beneath ‘Laurvin Glaslowe’ or ticking briskly through the Coltrane composition, Farmer and Maddren are the heartbeat and breath of a vigorous but subtle group sound perfectly calibrated to serve the needs of Law’s often tricksy pieces, which are rhythmically complex enough to stretch both performers and listeners, but are, at the same time, bright, punchy and memorable.

Chris Parker – London Jazz News

Mixing a virtuosic technique which takes as much from rock shredders as it does from past masters of jazz guitar, Entanglement gives an interesting and exciting selection of tracks which show off a stunning array of styles and techniques. The album feels like more of a whole band effort at times more than a solo release, with guitars being used heavily for rhythm playing as well as lead lines.

Ant Law doesn’t hog the spotlight at all on various tracks other members of his group step up to the plate and take the lead. The way in which the album allows the whole band to stretch their musical legs through melodies and solos without keeping too much focus on Ant Law’s guitar gives it a much more rounded scope than is often the case with solo releases. When Ant Law is the focus, however, the playing is fantastic, a great young jazz guitar talent.

Nick Webb

Ant Law Biography

Guitarist Ant Law was a scholar at both Edinburgh University and Berklee College of Music until moving to London in 2008. He then picked up work with artists such as Mica Paris, Leon Ware, Koby Israelite, Camille O’Sullivan, Britain’s Got Talent star Tony Laf, X-factor winner Steve Brookstein and Eileen Hunter, and members of Incognito and Level 42. Recent gigs include Joe’s Pub (NYC), The Luesther Hall (NYC), Camden’s Roundhouse, The Vortex, The 606, Pizza Express Dean Street, Gent Jazz Festival, Islay Jazz Festival, Edinburgh Jazz and Blues Festival, Fettes Jazz Festival and Lockerbie Jazz Festival, Croydon Jazz Festival, Music Meeting Festival Nijmengen, The Edinburgh Festival, Arenas all over Europe, Murrayfield stadium and even Wembley Stadium. He can sometimes also be heard playing "Beat It!" or "Can You Feel The Love Tonight" in the theatres of London’s West End!!!

He was honoured to be featured in the July 2011 issue of Europe’s biggest selling "Total Guitar" magazine. Additionally he is a pioneer of a new “Perfect Fourths” tuning system for guitarists, and his book “3rd Millennium Guitar” is available from prestigious publisher Mel Bay.

Ant’s debut album “Entanglement” was released on the 33Jazz record label in February 2013 to great critical acclaim. This project was awarded funding from the Jazz Services Recording Support Scheme. The album launch at Pizza Express Dean Street was sold out and the band then completed a 29-date UK tour, with further support from Jazz Services. Ant completed the second volume of compositions whilst on tour in Brazil this summer and band will showcase the music on their second longer tour in winter 2014. Then they’ll cut the second album. Sign up to the mailing list to stay tuned.

Latest News

2014 UK tour! Chillingworth/Neame/Farmer/Maddren 25 dates

Https://www.facebook.com/events/477385552367126/ Friday 10th Jan – The Crypt, Camberwell Tues 21st Jan – Swindon, Baker Street Weds 22nd Jan – Swansea Jazzland Thursday 23rd Jan – Poole, Soundcellar Friday 24th Jan – Bebop Club, Bristol Tuesday 28th Jan – Norwich, The Cottage Wednesday 29th Jan – Sheffield, The Lescar Thursday 30th Jan – Aberdeen, The Blue […]

2013 UK tour complete! (Maddren/Farmer/Chillingworth)

Hearfelt gratitude to all who came out to the gigs (see below): February 2013 Sunday February 3rd Milestones (Lowestoft) Thursday February 7th Jazz Nursery (Southwark) Friday February 15th J@J (Cambridge) Monday February 18th SJC (Southampton) Tuesday February 19th Dempsey’s (Cardiff) Tuesday February 26th Spotted Dog (Digbeth) Wednesday February 27th Jazz Bar (Edinburgh) Thursday February 28th Art Club (Glasgow) March 2013 Saturday March 2nd Zefirelli’s […]